1. int - A
very small asbestos house in mumbai - day
The house is damn small, infact, doesn't it look like a
house, but more like a small area of land partitioned into smaller places by
water drums, straightened up mats, asbestos sheets or could even just be a
two-wheeler. A typical hut of a slum.
In the entrance room of it, a man (who remains off screen
throughout, as we SHOW HIM FROM BACK) is sitting on an inverted bucket,
slurping coffee from a steel cup watching India-Pakistan cricket match on a
small TV kept infront of him over a small wooden table. The commentary noise is
loud and it gets jelled with that of a Bollywood song heard from the radio from
an adjacent room that makes the sound almost unrecognizable. He is irritated.
COFFEE-slurping-man
(angrily, loud tone, turning at the adjacent room)
Yeeh, saali. (an, Indian light gaali). Don't you ever have
time to listen to those than now?? Shut it off, now, or I'll come over and
break that bloody nuisance, you got it?
The sound of the song doesn't seem to lessen. He's
frustrated. He thuds the steel cup down on a stool besides him and gets up,
walks angrily towards the adjacent room.
THE CAMERA IS PULLED UP, TO A GREAT HEIGHT ABOVE THE ROOF OF
THE HUT.
The noise of that entire galli (around) is evident. THE
CAMERA FLIES TO MUCH HIGHER ALTITUDE.
2.ext - from
the top of that house, far above - day
THE CAMERA IS SHOWING THE TOP-VIEW OF THE GALLI DOWN BELOW
IT. The noise's getting reduced and in seconds, it becomes silent, damn silent.
A second of status quo.
Out of the blue, there's an explosion !! BAM BAM BAM.
The sound is deafening, it really is.
The house being shown is torn apart, nothing remains of it,
just the expanding fire.
The black-smoky opaquely dense ash cloud is rising up swiftly
towards the CAMERA.
Noise of griviances of people are heard.People are screaming,
shreiking and are running for life.(IN-SLOW-MOTION) Some are half-burnt, some
dead onspot succumbing to burn injuries. Some have no clue left about who they
were. They are in ashes.
The screaming sound gradually transforms into applause as...
3. INT - KBC
SET - night
the lights turned on systematically, KBC trademark music is
being played and people clapping synchronously. The set appears grand and in
the centre of it, are two people sitting.
CAMERA ZOOMED IN, TOWARDS THE CENTRE.
Amitabh Bacchan is sitting on his host chair and against him,
sitting, is the contestant, whose BACKSIDE IS SHOWN NOW.
Amitabh bacchan
Thank You, Thank You Ladies and Gentleman. And Welcome back
to the game. We just witnessed how a banker from Gaziabad played with his luck,
despite losing all his lifelines within first six questions of his journey but
managed to win a mindblowing 50 lakhs rupees then. Afterall, thats life, you
never know what you'll be offered with, in the very next moment. And no force
in the world can stop the occurance of an event whose time has come. Well,we
once again wish him all the very best for his investment firm he wishes to
start and (he extendes the middle syllable 'n') we gotto move on. Now we have
with us, is the person who cleared the fastest-finger-first in just above 2 and
a half seconds, a record here, at all high. Mr. Shaaaabaaaaaaazzzzz Ahmed, from
Muzaffarabad.
CAMERA IS GIVEN A U-TURN REVEALING Shahbaaz Ahmed's face.
He's bright, is in a traditional Islamic cloting, has quite a
long beard, an evident mustache, glowing eyes, an unblemished face that is as
serious and profound as the Atlantic.
AMITABH BACCHAN
Mr. Shahbaaz Ahmed hails from Muzaffarabad of Jammu and
Kashmir state,...
The explanation is cut abruptly as Shahbaaz Ahmed puts out
his hand against Amitabh making him stop his anchoring.
The audience are shocked at this bizarre move and so is
Amitabh.
SHAHBAAZ AHMED
(he recites)
Inshah Allah, beirut ul ulemaa hazrat jamaate ul tayeeba.
(and speaks up). As a matter of fact, Bachchanji, Muzaffarabad doesn't belong
to Jammu and Kashmir as you just carelessly mentioned,(pauses) but to Azad
Kashmir, the proud land of freedom.
CUT-AWAY
4.int kbc
building - day
A lady, in her mid twenties is walking briskly, holding a
file within her locked hands. CAMERA IS GLIDED UP TO REVEAL HER FACE. She looks
young and beatiful and is having the KBC tag on her id card, clutched from
inside her jeans front-pocket that confirms her name to be NEHA and that she's
a clerk in KBC's production firm.
Now, she is sweating, walking so hurridly across the narrow
pathway in the building that she slips, thanks to her high heeled slippers, but
manages to rectify her balance and walk even faster.
She is seen knocking the door of a cabin,
THAK-THAK-THAK-THAK, quickly, multiple times within seconds. She could not
speak.
VOICE OVER FRom inside
Come in, come in. ... Come in.
From the very voice, we make out that to be Bachchanji.
Neha enters in, she's panting, gasping for air.
Amitabh looks at her plight, gets up from his seat and rushes
toward her.
AMITABH BACCHAN
Nehaji, Nehaji, what happened? What's wrong now?? You seem to
be exhausted. Water??
He doles a bottle of Bisleri to her from his table.
She grabs the bottle, takes the lid off and quickly drinks
some.
AMITABH BACCHAN
Relax, relax. Take it easy. Tell me what happened. What went
wrong??
NEHA
Sir, there's been a problem. Really threatening. Thought its
best to inform you first, of it, before anything else. Came running to you.
AMITABH BACCHAN
Problem?? What sort of? Is everything ok back stage? where's
Tiwaryji? He is aware of this?? Or first tell me, what it is??
CUT-AWAY:
5. int-
small hall inside kbc building - moments ago
The hall is rather small, compared to the main studio, but is
well-organised. Ten people are sitting on chairs, not in line though and NEHA
is around with a cardboard in her hand, writing something.
She goes to a man, with her cardboard having a paper whose
heading is shown to read, "First contestant".
NEHA
Hello. How are you?
MAN-1
Hello Madamji. We are always fine. What about you? and can we
meet Amitji today?? One autograph, just one and a photo with him. Bas.
she smiles.
NEHA
Ofcourse, ofcourse. We'll arrange. Before that, let me tell
you a few things. You are one among the ten contestants who will play
fastest-finger-first round and if you win that, I mean, if you give the right
answer before anyone else,you'll reach the hot seat. I hope you know the rules.
MAN-1
Ofcourse, I do madamji. Watching it from very long back, from
my high-school days itself.
She laughs.
NEHA
That's good. anyway, if you win the fastest-finger-first, you
will immediately be called to the hot-seat, the very next moment. You
understand. So, I need your details now to give it across to Amitji, for him to
read out who you are and your interests when you sit on the hot seat.
MAN-1
Oh, I understand. You wnat to know what will I do if I win 5
crores, right?
She giggles.
NEHA
Not just that, many more. so, tell me your full name.
MAN-1
Rajatav Bhatia.
NEHA
What do you do?
MAN-1
I'm a businessman.
NEHA
Cool, what business?
She's surprised by his simplicity and language, inspite of
him being a businessman.
MAN-1
I have a small pawn-shop, infront of ShriKrishna Hotel in
Gaziabad.
He disappoints her. She grins at him
NEHA
So, you are from Gaziabad. Tell me what you'd do if ever you
win it?
Her tone is becoming careless, kind-of.
MAN-1
What shall I say madamji?? If I win, I'll kick the damn owner
of the hotel out and I'll buy that hotel. Then, I'll be its king, pan shop I'll
expan...
He keeps uttering something, but she moves on to question the
next contestant.
NEHA
Name?
MAN-2
Harish Verma.
NEHA
What you do?
MAN-2
Software engineer from Bangalore.
NEHA
Good, and if you win?
MAN-2
One third of what I earn I'll spend, one third I'll invest
and one third, I'll donate.
NEHA
Waaw. You are damn impressive. Logical, your ideas are.
MAN-2
Logic has been my life all through.
NEHA
Good. Fantastic. Married?
MAN-2
Was it a deliberate question?
He half-winks.
Neha becomes a bit angry over the reply and moves on, to the
next contestant, without answering him.
NEHA
Your name sir?
Neha is terrified by the very look of this third contestant,
she's all serious and cautious now.
MAN-3
Shahbaaz Ahmed.
NEHA
You are from?
SHAHBAAZ AHMED
Muzaffarabad.
NEHA
What are you?
SHAHBAAZ AHMED
I'm a jehad motivator. I write war-provoking books, as well
translate Jehadi books to Urdu and English. I also work on weapons and their
training to youth, sometimes weapon exchange.
Her cardboard falls off her hand upon listening to what he
had just said about himself. She's sweating, keeping her steps back, she's
terrified and speechless.
But involuntarily asks the next question, pausing between
each word, afraid of him.
NEHA
What..... would....
SHAHBAAZ AHMED
I'll donate it to some organization. ( a brief pause)
Neha's face is shown. she's confused as her eyebrows droop in.
SHAHBAAZ AHMED(contd)
to some organization like Lashkar-e-toiba or Jaish-e-Mohammad.
Thats it, she's taken aback. She can't hold it anymore. She
swiftly picks up the fallen cardboard and walks out of the room.
CUT-AWAY
6.int -
Amitabh's chamber - now
SCENE MERGES WITH SCENE - 4
AMITABH BACCHAN
Oh..... My.... Goddddd. This is really serious. You mean we
have a terrorist here?
NEHA
He's not a terrorist, but a terrorist motivator. Knows about
weapons and those.
AMITABH BACCHAN
More or less the same. It isn't a good news to anyone.
NEHA
His face looks severely profound and he probably is a very
knowledgeable person.
We shall inform the police??
AMITABH BACCHAN
We have to. Before that, let the producer know about this. He
shall take suitable actions.
NEHA
Sounds right.
AMITABH BACCHAN
Lets go to him, now.
They both walk out of the room.
7.int -
producer's room inside kbc house - moments later
The cabin is shown to be producer's through the board on the
door of it, when Amitabh and Neha enter the room.
Amithabh knocks the door and they enter in.
CAMERA ENTERS IN ONLY AFTER A FEW SECONDS. AS WE ENTER IN,
the producer Tiwary is standing away from the camera, holding
a paper-weight in his hand. amitabh and Neha are standing against him.
Tiwary turns to face amitabh and Neha.
TIWARY
So, what you are saying is, we have a surprise contestant
here, a terrorist.
NEHA
A terrorist motivator, not a terrorist precisely.
TIWARY
Yes, a terrorist motivator here on the set, as a contestant
and you want to get rid of him, and replace him with someone else. This guy
being informed about to the police.
AMITABH BACCHAN
Yes. That sounds reasonable.
TIWARY
Absolutely not. It's not reasonable, its sheer injustice. He
has come upto this level by valid means and our Terms and Conditions doesn't
allow us to replace such a contestant, for no good. If he's a terrrorist
motivator, or why not be a terrorist himself, he's just a normal contestant
here and it's his right to play the game. If he's anti-social, it's upto police
to have him later, but for now, he's just another contestant, you got me? He's
gonna play , like anyone else. No replacement, the game would go on as it is
supposed to.
NEHA
But sir, he's..
TIWARY
Time for the shooting.
Helplessly, Amitabh and Neha exit out of his cabin.
8.int -
pathway inside kbc building - moments later
Amitabh and Neha are walking towards his cabin, amitabh
deeply contemplating something.
NEHA
Sir.
He doesn't speak, doesn't respond.
NEHA
Sir, (loud tone, waving her hands)
AMITABH BACCHAN
Oh, yeah. Tell me.
neha
You seem to have lost in Shahbaaz , isn't it??
AMITABH BACCHAN
Well, wrong guess. You lost 3 lakh 20 thousand, (he mildly
laughs) I was thinking about Tiwary.
NEHA
Indeed, he sounded utterly unreasonable. It was absurd.
AMITABH BACCHAN
Unreasonable?? (he laughs). His decision made sense in every
possible angle to him.
NEHA
Sir, I din't get. How'z that?
AMITABH BACCHAN
You missed the business point here, which is what Tiwary is
keen about. Afterall, he's a business-minded producer. Well he thinks, if a
controversial person like Shahbaaz Ahmed sits on the hot seat and if he airs
that on screen, the TRP of the show would sky-rocket at once. He'll earn as
much money in a single episode as he would have in a full month with normal
contestants. If a terrorist, (pauses) becomes the contestant of a gameshow of
this scale, would't the entire nation watch that open-eyed? It will, without a
speck of doubt. That's all Tiwary needs. He doesn't, unlike he says, gives a
damn to contestant rights or terms and conditions. We all know its for
paper-purpose only.
NEHA
Mmmm. I really couldn't have thought about this.
AMITABH BACCHAN
That's why you are a clerk and not a producer yet.
They laugh.
NEHA
So, what you will do now? Regarding this?
AMITABH BACCHAN
That's infact is the question. He's a producer and remains
off-screen all time, making money. But me? I interact with people, I mingle
with them, I'm bound to answer. If something disturbing happens in the show,
I'll be morally responsible, in the eyes of the people, not this Tiwary. He
just makes money out of my plight.
NEHA
ABsolutely right. First thing that comes to people's mind
about anything about KBC, good or grave, remarkable or disgusting, is
Mr.Amitabh Bachchan, no one else, not the crew, not producer.
AMITABH BACCHAN
But the condition is still not that bad. He's just one of the
contestants yet. He first should win fastest-fingers-first to qualify to the
hot-seat. Lets see how it turns out.
NEHA
Mmmm.
She nods. He takes the pathway towards his cabin, she towards
the hall.
CUT-AWAY
9.int - KBC
CENTRAL STUDIO - NIght
The gameshow has begun. Amitabh Bachchan is standing at the
far end of the studio, about to announce.
AMITABH BACCHAN
So, contestants, he's the fastest finger-first
question.Fingers on the button, eyes on the screen. Contestant who gives the
fastest right answer sits on the hot seat. Wishing all of you a very good luck,
here's the question on your computer screens.
Amitabh BAchchan is about to read the question. He looks at
the screen to read it out, but is shocked. He's appalled at the question that
has appeared on the screen, which he never expected to change without him being
noticed. He pauses for a while.
Contestants look at Amitabh, as if what's going on with him!
VOICE OVER from microphone he's plugged
(From inside the studio)
Sir, read on. Time's running out. Read on.
Amitabh, back to his senses. Gets ready to read the question.
AMITABH BACCHAN
Arrange the following infamous, unfortunate incidents in the chronological order of their occurrence.
A. Indian Airlines 370 hijacking by Harkat-ul Mujahiddeen.
B. The Sikh insurgency
C. Terrorist attack on Mumbai Taj Hotel
D. The Godhra Massacre
He pauses for a while, still could not believe the question.
AMITABH BACCHAN
Times up. Lets see who all have given the right answer. Well, it appppeeeaaarrrsss (he's looking at the big screen, also shown on TV, where the computer is marking the people who've given the right answer), just two, and the quicker among them is, Mr.Shaaaaabaaaaz Ahmed.
Shahbaaz Ahmed gets up from his place and walks toward
Amitabh.
AMITABH BACCHAN
Please welcome, Mr.Shahbaaz Ahmed. Ladies and Gentlemen,
let's take a break, do join us on the other side of it. Thank you.
Applause sound, lights off.
Amitabh signals Shahbaaz Ahmed to go and sit on the hot seat.
Meanwhile, Amitabh quickly exits the main studio and walks hurriedly toward the
producer's cabin.
10.int -
producer's cabin - just after the above scene
Amitabh enters Tiwary's cabin, this time, without even
knocking the door.
AMITABH BACCHAN
What was it?? What was it I'm asking?? You were not supposed
to change the question without notifying me?? Eh?? That too, entirely in
favour of Shahbaaz Ahmed! You desperately wanted him right?
TIWARY
Well, you may think whatever. But I have nothing to do in
that. The question was a last minute change, owing to the confusion in
citations regarding the answers of the previously set question. We *HAD* to
replace that.
AMITABH BACCHAN
Replace that. With a question whose answer a terrorist best
knows.
TIWARY
May be a coincidence. No much time now. Break's done. You
ought to go.
Amitabh nods his head repeatedly, in frustration and exits
Tiwary's chamber.
11.int -
kbc set - night- continued from scene 3
THIS SCENE MERGES WITH SCENE -3
The audience are abashed. They can't believe what's going on
in the studio right in front of their eyes.
But surprisingly, Amitabh tries to be as diplomatic and
subtle as possible and endeavors to bring the scene back to track slickly.
Pretending to have least bothered about Shahbaz’s objection,
AMITABH BACHCHAN
Mr.Shahbaaz Ahmed, is a writer, religious thinker, interested
in theology. And if he wins 5 crores from here this day, he has willed to
donate it away in charity. A noble cause, exceedingly appreciable. Give
him a big round of applause audience.
The sound of the clapping is heard. It’s rather sounds
disciplined and has got gelled with artificial clapping sound too.
12.INT –
KBC STUDIO, TIWARY’S CABIN – AMIDST THE ONGOING Clapping OUTSIDE THE CABIN
Tiwary is watching the clips being shot outside, on his television set. He is accompanied by another man, who seems to be the team's production manager by his dress-code and the tag.
Tiwary has help his palms stretched over the table infront of
him and has leaned forward.
TIWARY
(out of frustration)
Oh, no. What a sick of a description that was, about one of
the most fascinating contestant ever!! This Big B cost me big money with that
clever depiction of Shahbaaz. Damn it. All my predictions gone in gutter.
Tiwary turns behind, away from the TV.
CUT TO:
13. int -
kbc set , continued from scene 11
The sound of clapping is abruptly halted as Shahbaaz Ahmed
raises his right hand firmly and commanding, his palm rock-solid, indicating he
wanted the audience stop applauding, that very moment.
Amitabh is taken aback with what was going on in the centre
studio now.
14. int - KBC STUDIO, TIWARY’S CABIN - at the same time
PRODUCTION manager
Sir, something is going on, bizarre, interesting.
Tiwary, who had turned away from the TV (refer SCENE
12)swiftly turns back again, to look what's really happening.
15. int -
kbc set, continued from scene 13
Shahbaaz puts his hand down.
SHAHBAAZ AHMED
You were right Bachchanji. (he pauses for a couple of
seconds. Amitabh's firm) Partly. Let me make it clear. Much much clear. My name
is Shahbaaz Ahmed. (pauses)I'm from Azad Kashmir. (pauses again).
TIWARY'S FACE IS SHOWN FROM INSIDE THE HIS CABIN. He looks
curious, eyes wide open.
SHAHBAAZ AHMED(CONTD)
I'm a writer of Jehadi books and often teach young lads about
using weaponry. (Brief gap of silence). I should also proudly admit that I'm a
radical thinker of the connotations of religious freedom. And whatever I win
here, will go to some organization (pauses for a while), probably Lashkar-e or
Jaishe Moh'd.
There's absolute silence in the studio. Audience are in
shock. Amitabh helpless. Camera's running seamlessly owing to Tiwary's order.
CUT AWAY:
16. int , KBC STUDIO, TIWARY’S CABIN - at the same time
Tiwary's face is glowing. He looks terribly happy.
TIWARY
Waaw. That's all what the show ever needed. Long live
Shahbaaz.
Tiwary claps a couple of times, his lips twisted, cheeks banging out.
A loud siren is heard.
PMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM.
TIWARY
Oh damn it. What bad luck it is of me. Holy God. Couldn't
this bloody hooter make out the magnitude of this situation?? Horny hauling
bitc*.
17. int ,
kbc set, continued from scene 15
Amitabh looks utterly relieved upon the ringing of the
hooter, that marked the end of the day's show.
Shahbaaz looks disturbed, his eyes closed in resentment.
AMITABH BACHCHAN
Oooh, a trivial transitory distraction. Hooter. The hooter, ladies and gentlemen, reminds us gently that its ten o' clock already and it's time for a saas-bahu kahaani. (pauses). So, tonite, we saw a banker who made his fortune here winning a whooping half a karod rupees and our roll-over contestant Mr.Shahbaaz Ahmed, who is yet to begin his questionnaire. And since it's Thursday, I'll be back again on your TV screens on Monday, with Shahbaaz Ahmed, till then, Good night, shubh raatri and shabbakhair. Happy weekend and do take very good care of yourselves.
Trademark sound is on, lights systematically dancing over the
set. And then fades out.
In the dim light, Amitabh is seen leaving his chair in a
hurry and walking over to towards the exit of the central set.
18. int -
kbc studio , tiwary's cabin -- just after the above scene
Tiwary and the production manager are standing against the
TV, watching various editing clips of the shots just done. The door of the
cabin bang opens.
Amitabh enters the room. He appears fuming.
AMITABH BACCHAN
Happy?? Happy now?? All went precisely as you premeditated,
right? You got your damn money. I lost my morale.
TIWARY
Morale?? How does that even appear in this Mr.Bachchanji.
Don't get me wrong, but it's nothing to do with you. It's him who has come to
the limelight and it's him who'd be despised. Take it easy.
AMITABH BACCHAN
Easy?? Easy?? (louder the second time). Well, you are a real
businessman, a typical brainy heartless moneymaking machine.
TIWARY
I would take that as a compliment.
Amitabh is frustrated. He loses his calm. Appears uneasy as
he looks around. But in the very next moment, he continues the argument in the
politest of the accents.
AMITABH BACHCHAN
Look Mr.Tiwary, this isn't fair in anyway. Maybe it fetches
some lottery money to you now, in an hour, but you lose all of them in the long
run. Franchise will be infamous, KBC will be controversial. Doesn't that affect
none but you?? Well you still have three more hours to settle on. Its 6 now.
Ask the editors to cut Shahbaaz's contentious statements when they telecast it
today at 9. (a brief pause) Life was far easier when we were shooting a day's
show a month before it was broadcasted. Now the gap is just three hours, a
meagre three hours where the best of the editors why not him be, he slips.
TIWARY
That has you and only your bad health condition to be blamed
upon, Bachchanji. We lost months after the contract, your physical condition
being liable for that.
AMITABH BACHCHAN
I know and it's all settled now, don't you try flipping the
line. Now do you or do you not agree to edit those shots, answer me.
TIWARY
I agree (pauses for a second or two) upon the latter part of
it. Thers's gonna be no cuts, no edits. Shahbaaz gonna be tonite's antidote for
the nation's sleeping sickness and I guarantee it.
Amitabh is utterly annoyed, but is helpless.
In frustration, he exits out of the cabin.
19. int -
a middle-class house, night
The house is in a mess, with clothes a baby lying around here
and there in the veranda, upon the sofa. A man, in his thirties, is sitting on
the sofa with the TV remote in his hand randomly changing the channels. BABY'S
CRYING IS HEARD FROM THE ADJACENT ROOM.
voice over - female
Oye ji, can't you see me, what plight I'm in? Chintu is
up with her marathon crying race, the rotis are
The lady is shown now. A typical Indian housewife. She is
sitting on the floor in the kitchen which is directly visible from the hall.
She's preparing roti, flipping up the hot rotis from the gas stove that is laid
in her front in one hand and holding a small baby in the other hand. She
appears to be an expert homemaker !! She is looking beautiful in her flower
designed simple red saree.
MAN ON SOFA
Oh Maalti, relax. Come here, come over here. I'll prepare the
roti for us today, give me an hour. You aren't that hungry, are you? Come, give
her to me, I'll take care of her.
MAALTI
No, that's ok. she won't come to you now, she's feeling
sleepy I guess. Let me put her in cradle for a while. So you are seriously
gonna prepare rotis for us??
MAN ON SOFA
Ofcourse. Gimme an hour. We'll have it together.
MAALTI
An hour?? What now you have??
MAN ON SOFA
It's 8:50 now, KBC gonna begin in ten minutes. Come, shall
watch it. chintu is asleep already you see?
MAALTI
Well, ok. But don't wait till it's over. Chop some tomatoes
and onions during break and keep them ready for the sabzi.
MAN ON SOFA
Bring it on.
Maalti is seen consoling Chintu for a while before the baby
sleeps. She brings a bowlful of vegetables and keeps it in front of THE MAN.
MAN ON SOFA
Brough all the veggies?
MAALTI
Right here.
MAN ON SOFA
The knife?
Maalti points to the knife she had placed beside the bowl.
MAN ON SOFA
Good. Now, take the knife and start chopping them, one by
one, slowly. Take your time, I'm in no hurry !!!
Maalti stares at him in a humorous anger.
She shakes her head slowly as she picks the knife.
MAALTI
No doubt you are a manager in your company.
He mildly laughs.
He increases the TV volume up 5 levels, Maalti indicates that
the baby is sleeping. He decreases, by one level.
On TV, KBC begins. They are involved completely in it, by
now.
FRom inside tv- amitabh's asking question to banker from
gaziabad
For ten thousand rupees, in the Moghul lineage, who was
Baadshah Akbar's father?
MAN ON SOFA
It's a sitter, I know the answer. It's Shah Jahan.
FROM INSIDE TV- AMITABH'S ASKING QUESTION TO BANKER FROM
GAZIABAD
A.Babir B.Humayun C.Sikander D.aurangzeb.
Maalti mildly bursts out into laughter and looks at him. He's
silently smiling, irritated, but is looking straight at the TV.
FROM INSIDE TV- AMITABH'S ASKING QUESTION TO BANKER FROM
GAZIABAD
You are right Mr.Gupta, Humayun is absolutely right.
MAN ON SOFA
History has changed a lot since my school days. These bloody
politicians rewrite history the way their children had answered in the exams.
Maalti laughs again, at his remark, shakes her head.
They are silently watching the ongoing show. There's break in
it now, and it resumes. Last ten minutes of it.
FROM INSIDE TV- AMITABH'S voice
Mr. Shahbaaz Ahmed hails from Muzaffarabad of Jammu and
Kashmir state,...
And all that DESCRIBED IN PREVIOUS SCENES APPEAR ON TV.
QUICKLY FAST-FORWARDED...
Maalti and her husband are shocked at what they had just
watched.
Within seconds, the knocking of the door is heard.
MAALTI
Can you see who's outside??
He quickly takes a tomato from the bowl and picks up the
knife.
MAN ON SOFA
I could have, but I'm busy preparing these for you.
Maalti seems annoyed and gets up herself to open the door.
He keeps the tomato and the knife back.
Maalti opens the door. A fat lady is standing outside.
MAALTI
Oh saroja, now?? Come in. Come over.
SAROJA
Hey, leave it. But did you see what just happened in KBC.
MAALTI
Yeah, yeah, we were discussing the same.
SAROJA
Wasn't that shamef...
Their voices are gradually cut down.
MAN ON SOFA
(To himself)
Oh There's it. The gossips already started. I'll sue google
who tell their mail service is the fastest. They should learn from these women.
He giggles.
CUT AWAY:
20.
ext/int HOVERING UPON GOSSIPS - night
The scene quickly moves upon a number of houses,hostel rooms
where people are seen discussing, talking about, criticizing the night's KBC
episode. None of the sentences are HEARD COMPLETELY, ALL CUT, but indicate they
are regarding the KBC episode and most of them are upset. Sentences like " We
will see what happens on Monday", "Thats called guts" and some other incomplete
sentences are HEARD then.
CAMERA IN THIS SCENE RESORTS TO SWIFT MOTION MODE, RANDOMLY
TAKING SHARP TURNS , MOVING EXTREMELY FAST, STOPPING ABRUPTLY, AT LIGHT SPEED
THE VERY NEXT SECOND.
21. INT -
a small dark room - day
The room is small and appears to be inside a congested
mohalla. Its mutedly lit and some big wooden cuboid boxes can be seen here and
there, along with some liquor barrels. Few men are sitting around and chatting,
they are all armed. They appear to be terrorists, going by their clothings,
appearance, gun hung to their backs, belt of bullets around their waists, some
maps spread across on a nearby table all give the viewer the notion of the
place being a terrorist hangout!
In the middle of the room, astride a fallen large drum, a man
is sitting. His eyes are masked with a black band, mouth stuffed with a cloth,
hands and legs chained. He is helplessly shaking his head swiftly, as if trying
to break open the iron chains clutched to his hands, but know he can't.
The tin door of the room opens suddenly and a three men enter
the room. They all are heavily armed, two of them are following the main gunman
who's leading them. As they enter the room and walk over,
GUNMEN SITTING
As Salaam Aleikum... Janaab
Main Gunman greets back, in traditional Islamic fashion,
raising his right hand to the forehead.
MAIN GUNMAn
Aleikum Salaam.
They all stand up.
MAIN GUNMAN
So, this is that guy??
RANDOM GUNMAN
Haan Janaab.
MAIN GUNMAN
What's his name??
The main gunman pulls the eye-mask off the chained-man's eyes.
RANDOM GUNMAN
Praful. And some complex surname.
MAIN GUNMAN
Not necessary. So he knows all of them??
RANDOM GUNMAN
Probably. He's the topper in that.
MAIN GUNMAN
(in serious tone)
Good. If he fails to answer, there will be two dead-bodies we
would be left with. (Pointing to the man sitting on the chair, Praful)Him and
(looks at RANDOM GUNMAN)...
MAIN GUNMAN removes the cloth out of Praful's mouth. Praful
is chuffing, and drops of saliva dip down to the floor and a drop, on the right
boot of the MAIN GUNMAN.
MAIN GUNMAN looks at his boot, slowly looks up and stares at
PRAFUL. He's damn serious, eyes unblinking.
CAMERA ZOOMS-IN till PRAFUL's eyes, then into it, deeper and
deeper, till it CUTS-TO
22. int -
a large hall , day
The hall is huge, looks more like an auditorium. Has a broad
stage at one end of it, against it are hundreds of chairs arranged row-wise,
right now, all of them are filled.
The big elegant banner hung on stage reads
"Inter-college Quiz Competition --- MUMBAI".
Students carrying college IDs of various colleges are sitting
on their chairs, with a pen and a paper kept over the chair's inbuilt wooden
support. Some are chatting, some are vaguely looking at the stage, some seem to
be lost while a few of the male participants, mostly in groups are scanning the
hall looking out for some appealing chicks.
RANDOM PARTICIPANT 1
South-west. Around minus 30 degree. Black top, probably dark
blue jeans. Looking damn pretty.
Some participants around him slowly turn in the vector
direction he had just mentioned.
RANDOM PARTICIPANT 2
Aahaan. Not that awesome. Just ok. Look at West, equator. 180
degree flat. Cream top, gray jeans.
They slowly rotate their head 180 degrees to their left.
RANDOM PARTICIPANT 3
mmmm. she's Jhanur. Well-known hottie, from BBU college of
Arts. Has more than a dozen boyfriends.
RANDOM PARTICIPANT 4
WOW!! You are a walking database man. well, no problems for
me. She's damn hot and I dont mind her dozen bee-effs. I'll be her thirteenth.
RANDOM PARTICIPANT 1
13 is a bad number dude. Be careful.
They all laugh.
ANNOUNCEMENT FROM STAGE
Hello! Mic check. students, welcome all of you to this
inter-college quiz competition. This is being sponsered by Questionnaire Media,
a non-profit agenncy and the winner, as you know, will receive a cash price of
a mammoth One Lakh Indian Rupees. 60 questions, 2 hours time. I wish you all
the very best. May I request the volunteers to distribute the question papers
please.
Upon that, we see a few students walking around, distributing
question papers and then blank sheets to answer.
ANNOUNCER (voice over)
The time starts now.
Participants are seen writing in their sheets, some trying to
peek at their friends' sheets.
CAMERA TAKES A TOP-VIEW
ANNOUNCER (VOICE OVER)
Time!! Kindly return your answer sheet. Make sure you write
your mobile numbers and your name on that so we can contact you in case you are
the winner.
A student's fingers are shown: it holds a pen and moving
faster than a bullet train writing a bunch of numbers that is then shown
together to be a 10-digit mobile number. He then writes his name below that,
Praful Pattaabhiraaman.
CAMERA PULLS BACK< BACK AND BACK TILL IT EXITS OUT OF
PRAFUL'S EYES, MERGING WITH THE PREVIOUS SCENE.
23. int ,
a small dark room - continued from 21
MAIN GUNMAN is staring at PRAFUL.
MAIN GUNMAN
You spit on me now?? I absolve, let off. But if you do not
answer the question correctly when you are asked, I'll make you spit blood. You
got it..
MAIN GUNMAN pulls PRAFUL'S hairs and clinches his head
upwards.
PRAFUl
Infact, (slowly, bit by bit) I din't get, pardon me. I don't
know why am I here.
MAIN GUNMAN
Soon you will understand. Wait for the weekend to get-over.
Praful appears confused. He turns around, looks at each of
them, they are horrifying. He atlast stumbles upon a man, and soon recognizes
(SCENE FLASH NOW - FOR NOT MORE THAN 2 SECS) him to be one of those who
distributed papers in the quiz competition.
24. int ,
PArty chamber of a right-wing political party- day
The room is rather large, and many people, most of them in
their fifties or more, which is evident from their shrinking face, tint of
white hairs and pot belly of some. Most of them are sitting on chairs around a
U shaped fine table, while some are standing around. The room looks grand and
comfy, that imposing style which gives the notion that's it's probably a
political-party with huge funding and massive fan-base.
Most people are in their clean white shirts, loosely let out
of their silk loin-clothes, whose color ranged from snow-white to saffron. Many
are having a saffron colored cloth around their shoulders, put limply.
The main politician, who's a bit old, mostly in his
seventies, speaks up. He's sitting along the curved part of that U shaped
table, the position which is often picked by the party-leader.
MAIN POLITICIAn
Jai Sri Ramji ki.
He waves his palms asking them to sit down, or concentrate on
his words.
MAIN POLITICIAn
Gentlemen, I take it for granted that you all know why we are
here in this unforseen meeting. Yes, KBC. what's going on here?? Whatever
it is that they defend, it's immoral and depraved. Allowing a terrorist and
motivating the youth is condemnable. We denounce it, without a speck of a doubt.
OTHERS IN CHORUS
We condemn. We condemn.
MAIN POLITICIAN
In the wake of it, ask your volunteers to stage a protest, a
moderate one in front of that TV channel who air that.
RANDOM POLItician
A moderate one??
MAIN POLITICIAN
Non-violent one, (pauses for a while) till the things are in
hand. If something nasty occurs, don't hesitate to resort to stones and our
lathis. We just want that TV show to stop broadcasting the sho anymore. And we
also demand the resignation of the chief minister who should morally be held
responsible.
OTHERS IN CHORUS
yes, yes, fair demands.
RANDOM POLITICIAN 2 looks a bit young and he's neatly
trimmed. Probably he's the only one in the room who's in his shirt and decent
black pant.
RANDOM POLITICIAN 2
Excuse me, gentlemen. I totally agree with the first part of
it, the TV channel should immediately stop telecasting it, but I don't get how
the chief minister to be blamed in this case?? Care to elaborate , please??
RANDOM POLITICIAN 3
Abe oye. Young blood-tender heart, you aren't yet acquainted
with that. We pass orders, you execute them neatly. In years, watch it
yourself, you will demand chief minister to resign just if your baby cries
while going to school.
They all laugh, including the MAIN POLITICIAN.
MAIN POLITICIAN
Ha ha. (sturdy, gentle laugh). Look Jatin, the chief minister
of a state is accountable for all the mishaps in the state, just like he takes
credit for all the positives of the state, even though he's almost totally
unaware of it. If our cricket team loses, captian would be accountable, and if
wins, he's the one who lifts the trophy, doesn't matter in how many innings he
had failed miserably. It's that analogous. Jatin, you are still very young in
these issues,(brief pause), you'll learn.... for sure, a day or it's next.
CUT-AWAY
25. int -
a small 2 bhk house in a big apartment- friday evening
The house looks medium-sized, neatly arranged and unruffled.
But what's interesting about that house is that on the walls are hung framed
photos of Lord Ganesha and on the opposite wall is the framed photo of Kaaba
stone and Hajj pilgrims, with words inscribed in Arabic. Here and there are
statues of Shirdi Sai-Baba, on small marble pillars and in the showcase.
The door is knocked. and then the bell rings.
A woman, in her mid or late-twenties , comes out of the
kitchen and walks towards the door. She is in her saree, her forehead sporting
a red-bindi, wrists ornamented with a couple of gold and another pair of glass
bangles. As she walks over, she mildly touches the Sai Baba's idol placed on
the way and then into her eyes.
She opens the door.
LADY
Mmmm... I expected. I was expecting you child, but thought
you aren't yet grown up enough to reach the bell, are you??
She sits down on her heels and kisses the child on its
cheeks. It laughs.
The child is in its school uniform, a stiffly pressed shirt
and matching knickers and with a heavy bag at it's back.
Behind the child is a man, standing tall. He's dressed well,
lightly bearded. He's fair, handsome and well-built.
They both enter in and she closes the door.
MAN
Mmmm. What to do Laxmi, hardly any clients at the office
today. Thought of closing it early and went to the school to pick him up.
LAXMI
Oh wokay. Good. I was preparing some fresh sandwitches, you
will have some?
She's seen walking away towards the kitchen.
MAN
A couple of slices.
CHILD
Maa, you know, tomorrow is holiday for us. They announced in
the school.
Laxmi come back to the hall, to the child.
LAXMI
Holiday?? What's special Rango?? It's saturday yet!
CHILD
I don't know. They have written something in the diary.
The child opens the bag and hands out the diary to Laxmi.
Laxmi reads it silently and closes it.
MAN
(He's now sitting leisurely on sofa and has turned on
the TV)
What's it about Laxmi??
Laxmi turns at him and
LAXMI
They say tomorrow there's a protest from opposition parties
at that Dhirubhai Maidan. Against that KBC thing. They feel its going to be
violent and vicious, so holiday as a precaution.
MAN
Oh .. common. Protests have become their daily routine of
late. I wonder don't they have kids, who would be affected too.
LAXMI
Honey, their kids would be studying in some international
boarding schools, not like ours'. They are all safe, we suffer the most, we
endure hard times, not them.
MAN
True , are your words.
CHILD
Mamma, what's it about??
LAXMI
It's about... mmm, you don't understand yet. It's grown ups'
dirty business.
CHILD
But my pal Naren told of some terrorist in the city?? Who's a
terrorist? what he looks like??
LAXMI
(looking at the MAN)
Kids these days mature while they are still infants!! (Turns
back to the CHILD). a terrorist is anyone who harms others, who kills others
for no valid reason. He looks like.... lile.. aaa.. like...
CHILD
Naren told of long beards, reciting prayers and..
MAN turns to the child, as if he wants to tell something.
LAXMI
Not all, Rango, not all of them have long beards.
MAN
(to himself, loudly)
But the world believes so. And mostly that's what it is.
That's what I feel. That's what it has happened in KBC too. Although, I ..
LAXMI
Imran, aren't we in an accord to not, at any circumstance,
discuss religions.
IMRAN
Yes, yes. We are world-citizens.
He laughs.
IMRAN(contd)
Come, lets watch Tom and Jerry.
He opens his arms to the child, prompting it to run over.
On TV screen, Tom n Jerry can be SEEN
CHILD
I've already seen this episode.
It runs away.
IMRAN
May that be so, Laxmi, I desperately want to watch what
happens on Monday, in KBC.
LAXMI
You think I'm any less curious??
CUT-AWAY:
26. ext -
outside the channel office - saturday morning
The channel office is located in one of the busiest streets
of Mulund. It's not conjested, but it certainly super-active. Vehicles are
hastening around its surroundings, thanks to daily office works and the
footpath around is teeming with pedestrians.
A big gang of young lads, most in their simple shirt-pants,
but all holding lathis in their hands, some holding unfurled Saffron flags are
marching towards main entrance of the channel's office, shouting slogans
against the channel which are HEARD RANDOMLY, UNCLEAR.
VOICE OVER
Down down...
VOICE OVER
We Are Indians...
And many such, hazy and imprecise to make out.
One of the protesters tries to open the main gate amidst
resistance from security officials.
From inside the adjacent security cabin, a security official
picks the phone up..
SECURITY OFFICIAL
Police?? Janaab...
VOICE FADED OUT.
The vehicles are now blocked and the place is in chaos.
Traffic is totally jammed and wedged, loud honking sounds can
be HEARD.
One of the protesters stabs a gate watchman and tries to enter the channel premises, but is hit back by other security officials and gets injured fatally.
The act provokes other protesters to pick fierce routes as
they start pelting stones inside the channel premises and onto the vehicles
standing around owing to the dead-still traffic. Glass of some vehicles get
shattered.
SIREN OF THE POLICE VAN IS HEARD.
Soon, the police van arrives with armed policemen, who fire
in air, a couple of rounds and clash with the protesters.
THE SCENE IN SLOW-MOTION
Protesters are seen at loggerheads with police, some even
beating police with their lathis, but some bleeding. Police open tear gas and
...
THE SCENE-CUT-AWAY.
27. int
kbc studio , tiwary's cabin - saturday noon
Tiwary is
sitting in his cabin , with him is the production manager. They are watching
clips of KBC on their television, discussing something over it.
The door knocks open and Amitabh enters the cabin.
He's furious, raging and his temperament looks pretty bad.
Tiwary and the production manager turn back, facing Amitabh.
TIWARY
What??
AMITABH BACHCHAN
Haven't you have the slightest common sense?
TIWARY
what happened now? Be precise.
AMITABH BACHCHAN
What needs to happen anymore?? You saw the protests?? You saw
the injured ones??
TIWARY
(Tiwary is as cool as cucumber)
Yes, I saw. (casually).
AMITABH BACHCHAN
And you still wish to air it??
TIWARY
At any cost, it should happen. Think Bachchanji, you knwo why
they protested?? Not that they really want to stop the show, but to create
bedlam around making the government liable. It's all dirty politics, it's far
more sullied than what you say I'm doing. You don't mind all these Bachchanji.
Just two more days left. Monday evening 5 O clock is the shooting. Go prepare
with the questions, Neha will hel you as usual.
Amitabh looks helpless as he puts his hands over his waist
and stands pale.
Tiwary and the production manager turn back and continue
their discussion.
THE DOOR CLOSING SOUND IS HEARD indicating Amitabh exited the
cabin.
CUT-AWAY
28. int -
Amitabh's chamber - moments later
Amitabh is sitting in his chamber, deeply contemplating
something, looking blankly at a corner of the room, his elbows rested lazily
over the table helping the palms support his chin.
The KNOCKING SOUND is HEARD.
AMITABH BACHCHAN
(After a few seconds)
Come in.
Neha enter in.
She's carrying a file with her, clutched in her locked hands.
NEHA
Sir, the questions. Time you should have a look and get
acquainted.
She places the file on the table and sits on the chair
against him.
Amitabh gently pushes the file away, towards her.
NEHA
Sir??
AMITABH BACHCHAN
Neha, Tiwary feels he's hit the jackpot with this contestant.
(slowly, pausing between each word). Now, I'll provide *a twist in the tale*.
For Monday's episode, *I* will frame the questions. Don't wish to screw you,
but thanks for these questions, we'll use them for later episodes. For
*Shahbaz*, it will be *MY* questions.
Neha, hesitatingly nods her head.
NEHA
(slowly, haltingly)
sure, sir. But be aware of the fact that there are three
lifelines for his assistance and it's pretty tough to let pass all of them.
AMITABH BACHCHAN
pardon me??? What you hinting?
NEHA
Well, it doesn't take an astronaut to guess that you would
wish to get rid of Shahbaaz the soonest and its so very obvious that you'll ask
the toughest of the questions for the 1000 Rp first question itself, or
probably the second, to trick viewers, making him lose the money and leave the
hot seat in less than 5 minutes.
AMITABH BACHCHAN
Eh??
NEHA
So I just, don't mistake me, but out of my experience here
with previous seasons, wish to inform you that the three lifelines what we have
are rather very efficient in helping even the dumbest of the participants to
stick-on for a while and win a few bucks. Shahbaaz, on the other hand looks
extremely knowledgeable. Probably, you may ask him questions related to some
vague and rare topics, may be from botany or well, say ice skating or such.
AMITABH BACHCHAN
Ha ha ha.
Amitabh keeps laughing at her advice.
She appears confused.
CUT-AWAY
29. int -
tiwary's cabin - moments later
Tiwary and the production manager are sitting in their cabin.
Tiwary is holding a glass of fine whisky with him.
TIWARY
Jaiswal, I'm really happy with the reports.
PRODUCTION MANAGER (Jaiswal)
On what ?
TIWARY
The reports say, most of them, that the TRP is gonna touch
skies. I heard from NDTV internal survey, from that taklu Rajath, that its
almost be or even more than that of World cup finals.
JAISWAL
The 2011??
TIWARY
Yes. And most subscribers of satellite television have
already opted for our HD service, just for the sake of this show.... for this
episode. And this channel has profited considerably from this, the sole reason
why even they insist on broadcasting this, ....... despite political pressure.
JAISWAL
Mmmm. Money is the ruler, everywhere.
Tiwary laughs mildly.
JAISWAL(contd)
But, don't you think Bachchanji would play some tricks and
spoil the party??
TIWARY
Aahaan. No way. He's a good guy, don't you think so??
Tiwary snorts hard.
JAISWAL
I do, he's a good guy. (Pauses for a while) That's why I
think so.
Tiwary abruptly stops laughing and stares Jaiswal straight in
his eyes.
30. int -
the small dark room (refer scene 21) - saturday evening
The gunmen, including the main gunmen finish Namaz as they
are seen getting up from their prayer stances.
RANDOM GUNMAN 1
Janaab, I feel this kid (he points at Praful) should be
provided with some general knowledge books, lest he fails to answer.
MAIN GUNMAN
Books?? .....Why not??........... We will.
MAIN GUNMAN goes to PRAFUL, sits in front of him and asks,
MAIN GUNMAN
Chote, (he pulls his hairs)give us a list of general
knowlwdge books you would be needing. You have two more days.... Prepare
well... Don't make me waste another bullet on minnows like you for odd causes.
Monday you will get a call,... a precious call, ....... all the way from KBC
set, you have to be our Maalik's friend that time and answer his question. You
should be aware of Phone-a-Friend aren't you?
PRAFUL nods his head, slowly.
MAIN GUNMAN(contd)
Good. You prepare for your job...
MAIN GUNMAN gets up and turns to his men
MAIN GUNMAN(CONTD)
And *WE* will prepare for *OUR* job.
All of them raise their hands and shout something in Arabic.
ALL IN CHORUS
Uleima jaleeze paanv.
And one more time. 'Uleima jaleeze paanv'.
MAIN GUNMAN gives each of them a fake identity cards, some
photograph that contain some vital information on their backside. All gunmen
are seen colecting a bag as well.
MAIN GUNMAN
Targets. Information collected from our intelligence.
31. ext -
road - sunday morning
One of the
gunmen is walking out fron that dark room onto the road, outside.
FILMY-EFFECT: As he walks, his beard vanishes, his
traditional islamic clothing gradually transforms into a decent striped-blue
shirt and formal black pants. His bullet-studded belt is seen altering to a
brownish leather belt. Gun he had in his back disappears and now he's seen
walking on the busy road with a bag at his back. THIS TRANSFORMATION EFFECT
SIGNIFIES THE TERRORISTS' DISGUISING SKILLS.
He calls for a taxi.
MAN
Taxi...taxi..
A taxi approaches. He enters in.
MAN
Colaba Boarding school.
Taxi driver
The upper one or the Nariman point's?
MAN
Upper Colaba.
The taxi moves on in extremely congested gallies and finally
stops at a place. The MAN takes out money from his wallet, hands it over to the
driver and gets down.
MAN
Shukriya.
Man enters through a big gate , which is then REVEALED to be
of "COLABA BOARDING SCHOOL".
The school premises are exceptionally huge, with various
playing amenities evident on it's campus. The buildings, that board classrooms
are huge as well that tell us that it's probably pretty famous school with
thousands of students.
He enters the office-room of the school.
32. int -
office room of the school - continued from the previous scene
The clerk sitting in the room looks up.
CLERk
Yes?? What can I do for you?
MAN
Hello. This is Tarun from New Delhi. My brother , Varun is
studying in second standard in your school. Was on a casual visit to Mumbai.
Thought of meeting him, if you permit me.
CLERK
Ofcourse, why not. Any identity card you have or something??
The MAN shows the fake identity card.
CLERK
Ok. Our peon will take you to your brother, building 5, left
block, 2nd floor.
She rings and the peon enters.
CLERk
(handing over a chit to the peon) Take him to Varun,
this address.
The MAN and the peon walk out of the office-room.
Clerk rings again and peons turns back. He walks back to the
office room, MAN stays out.
CLERK
Look, ask this man to sit in the stairway of that building
and call Varun to him. Make sure Varun recognizes him. I'm seeing this man for
the first time.
33. ext -
school pathway , continued from previous scene
Peon and the MAN are walking on the corridor of the school,
towards the BUILDING 5.
MAN (under the name TARun)
bhaiyya, can you show me the restroom? emergency !!
PEon
Oh, no problem. There, far end , left of ths pathway.
MAN (UNDER THE NAME TARUN)
Thanks. I'll be right back. Stay here.
The MAN walks away, in the direction shown by the peon.
34.int -
rest room of the school, continued from previous room
The MAN enters the restroom, looks around and finds just
another boy at the urinal. He goes inside a bit and enetrs oone of those toilet
rooms and locks the door and confirms its locked!.
He removes his bag, opens a moderately big box and takes out
something wrapped in a paper. As he opens it gently, it is REVEALED to be a
time-bomb. Gray-colored, wires unplugged on sides cracking out, few buttons on
its rear sides and a display.
The MAN turns it on, is seen setting something and fixes it
to the roof edge of it, it appears to be camouflaged as it blends with the
surrounding paint. MAN pushes back its tiny wires up above the device
concealing them shrewdly. He zips the bag , washes the hand, sprinkles some
water on his arms and clothes and exits out. He walks out of the restroom and
is seen walking back to the peon, who can be SEEN at a distance.
35.ext -
school pathway, continued from previous scene
PEON
Done?
MAN (UNDER THE NAME TARUN)
Pretty much.
The MAN giggles, so does the peon.
They walk a bit towards the building and then take the
stairs. On the way we can see many classrooms and big corridors leading to
hostels and boarding-houses.
PEON
(pointing to a bench)
Please sit over that as I call your brother.
MAN (UNDER THE NAME TARUN)
Not a problem.
Peon walks away as the MAN sits down and keeps the bag
besides him. In a while, peon is seen coming with a small kid.
PEON
Varun, go , here's your brother.
Varun looks confused. He seems afraid as he tries to hide
behind the peon.
PEON
What happened child?
VARUN
I don't know him!! I don't know who is that. He's not my
brother.
The MAN gets up and looks at Varun.
MAN (UNDER THE NAME TARUN)
Well. He's not my Varun. Hey, this kid is not my bro. Sure
this is COLABA boarding school of Nariman Point right???
PEON
Oh, no. There's confusion here. This is Colaba boarding
school of Upper Colaba, you are at the wrong place mister.
MAN (UNDER THE NAME TARUN)
Oh, my bad. I'm sorry. I'm sorry, din't know there are two
Colaba boarding schools. Anyways, this kid looks almost like my brother.
The Man comes close to the kid, fondles its cheeks, takes out
a chocolate from his pocket and gives to Varun.
MAN (UNDER THE NAME TARUN)
Take this, bro. I'd taken it for my brother. I have one more
of it. Take this.
Varun accepts it hesitatingly.
MAN gets up and walks away. Peon and Varun keep watching him
walk down the stairs.
36. ext -
stairs and pathway/corridor - continued from previous scene
The MAN is slowly walking on the corridor. He looks around
and sees a bunch of students discussing something with their teacher. Walks
ahead foe a while, his eyes rolling. At one point he stops, looks around to
find none in the surrouding. Quickly unzips his bag and pulls out another
time-bomb , that looks almost similar to the one showed previously. He sets it
on and clasps it onto the back-side of a moderately big first-aid box which is
kept limply over an iron stand in a way it forms the hypotenuse of the triangle
formed by it with two perpendicular wall corners.
He's then seen walking briskly, going down the floor and
walking towards the main gate.
37. ext -
road - day
Another gunman is seen walking out on the road, his face and
appearance undergoes a similar transformation on the go, as described in SCENE
31.
Now what we are seeing in front of us is a smart charming
guy, neatly combed and cleanly shaved, he's probably in his early twenties,
walking past a huge Toyota showroom towards a taxi stand. He's carrying a bag
at his back.
He goes to a taxi driver and ..
MAN
Bahiyya, VileParle??
TAXI DRIVER
Too far off from here. We hardly get any passenger back from
there. One and half times the meter.
MAN
Oh ok. My company pays me, I've got no problems with that
deal. But, make it fast, I have to catch the flight from Santa Cruz this
evening.
TAXI DRIVER
Get in.
The taxi is seen moving. The MAN is sitting in the back seat
of the taxi. He puts his bag down, not on the seat but down on the
vehicular-floor. He unzips the bag slowly, making sure it doesn't casue the
slightest sound. He pulls out the a box wrapped in paper and places it gently
besides him, on the seat. He does all this looking straight at the front, only
his hands doing the business. Such expertise, the taxi driver who looks at him
through the central-view-mirror could never make out what his hands are upto.
He slowly turns the time-bomb on and fixes it gently below
the seat.
The taxi moves for a while in many congested streets and
finall halts at a place. The MAN is seen taking money out of his wallet as we
CUT-AWAY:
38. int -
ext - road -day
Another GUNMAN , now disguised as a commoner, carrying a bag at his back goes to a taxi driver.
CAMERA IS ZOOMED-IN TOWARDS THE BAG.
MAN
Bhaisaab, Boriwali market??
Pan chewing taxi driver takes the newspaper off his face,
looks at the man in a rather daunting way and indicated him to get inside, as
he shakes his head leftwards swiftly.
CUT-AWAY
39. int -
That room - night
The room is dimly lit and we can hardly see anything. A small
incandescent bulb is glowing in a corner whose faint light shows us that Praful
is still sitting on the chair at the centre of the room. His legs are still
chained up, mouth stuffed with a piece of cloth. But surprisingly, his hands
are free and in a second, he is seen turning the pages of a book and around it
are a dozen more books, general knowledge ones, we get the reason why his hands
are not cuffed and eyes unmasked.
The MAIN GUNMAN comes to him, he's heavily armed.
PRAFUL
Please, I cant read anything in this light. I literally have
to go inside the book even to read it. Look, it's so dim here.
MAIN GUNMAN
Bachhe,... (he laughs) we are allergic to light. ask food,
we'll arrange, ask water, i'll provide you, you are very precious now for us,
you got it. But, no light. Read whatever you can in this very light. ....... By
the way, let me check how much you have read. (he smirks)
MAIN GUNMAN picks up one of the books spread across in front
of Praful and opens a random page in it.
MAIN GUNMAN
Mmmm. Answer this. (he's reading the question from that
book.)
He keeps the book very very close to his eyes and tries to
read out.
MAIN GUNMAN(CONTD)
(haltingly, word by word)
What....is... the..... scientific.... term... for the
....morbid.... fear.... of... light???!!!
He throws away the book and laughs hard.
MAIN GUNMAN(CONTD)
Ha ha ha. Heck of a coincidence. What do you call it, tell me
what do you call it??
PRAFUL
Mmmm.. That is ...Heliophobia.
MAIN GUNMAN
Helio.... fobia... ?? !! Wow!! I'm a helio...phobia...
heliophobia...
He laughs hard and harder till the phone rings.
His laughter stops in a second, he's damn serious now. He
walks toward the phone and picks it up.
MAIN GUNMAN
Mmmmm. (pauses for a while). All seven? (pauses again). Not
bad.Baut khoob.
He keeps the phone down. Comes back to Praful.
MAIN GUNMAN(CONTD)
Listen very carefully. (he's stiffly holding Praful's hair,
Praful's feeling the acute pain) Listen, this is very important. Tomorrow when
you get the call from KBC, first thing you need to tell is this line: 'God is
Greater', before anything else, you understand what I'm saying??
PRAFUL
Yes, I do, ..... I'll tell so. Please leave me. (he's
screaming in pain).
MAIN GUNMAN
Good ... 'god is greater' don't forget, don't mess up.
CUT-AWAY:
40. int- A
moderate house - SUNday night
The house is neither grand nor too meek, but would show up
somewhat akin to a middle class family residence. The hall is neat and
organized. A man, who looks to be in his thirties is walking in the hall, back
and forth mulling over something. He looks uneasy.
AS THE CAMERA SHOWS HIS FACE, WE RECOGNIZE HIM TO BE THE SAME
YOUNG PERSON WHO OBJECTED TO THE PARTY'S PROPOSAL OF CHIEF-MINISTER'S
RESIGNATION -- REFER SCENE 24.
He's rubbing his palms, looking around aimlessly , walking
randomly, all of which actions, tell us he's upset or deeply chewing over a
topic.
From inside the kitchen, a woman appears, a beautiful woman,
mid-twenties. She is in her everyday-saree, but that in no way dwindles her
sheer beauty. Mangal-Sutra, around her neck is unmistakable.
WOMAN
What happened Ram? You seem uneasy? everything ok??
RamMOHAN LOHIA
The party...the beloved party in which I'm working is not as
clean as I had thought Deepi.
WOMAN (deepika)
Unclean?? Why?? If it's a minor corruption, then I guess it's
omnipresent, not something to keep brooding upon.
RAMMOHAN LOHIA
Minor corruption??? !!! No. This is a major blunder. They are
playing with people's life. The sit in the air-conditioned office and pass
stifling orders which our youth blindly follows, unaware that they are the ones
acutely affected.
DEEpika
Honey, come here. Sit down, relax. Tell me what happened..
Come sit down.
Deepika drags him gently upon the sofa and sits beside him,
her shoulders lying soothingly over him and he's stooped over her.
5 SECOND FLASH BACK OF SCENE 24 IS SCREENED, WHERE
POLITICIANS OF THE RIGHT WINGED PARTY INDIRECTLY RESOLUTE FOR A PROTEST AND OF
SCENE 26 WHERE MOBSTERS CLASH WITH POLICE AND INNOCENT PEOPLE ..
VOICE OVER (RAMMOHAN's voice)
(Serious tone, brawny voice)
They resoluted to protest, a non-violent one for the
namesake, but knew a fuming mad mob of hot-blooded youths can never be silent.
They could have taken other intelligent routes, but they picked this. They
wanted chaos,.... pandemonium at the place. Believe me, .... Deepi, if the KBC
is aired tomorrow, I ll vouch they stage relentless protests and ruthless
hartals. Not going to be of any value to anyone.
DEEPIKA
Dear.... oh dear... You objected?? You told that wasn't the
way.? Did you?
RAMMOHAN LOHIA
Mmmmm. And what happened from that is something I would wish
to keep it with myself.
DEEPIKA
Mmmm. I understand. Dear, why don't you directly go to the
KBC studio and convince them of this?? Probably, they would listen, it sounds
reasonable. Isn't it?
RamMohan slowly stands up and nods acouple of times.
CAMERA ZOOMED-IN to HIS FACE.
CUT-AWAY:
41. int -
tiwary's cabin - monday morning - around 8:30
Tiwary and the production manager are sitting in his cabin
and as usual, they are in some business conversion.
The intercom rings in the room. The production manager
(Jaiswal) picks it up.
JAISWAL
Yes... What? How come this man here??
Tiwary stands up at once and looks at Jaiswal. Jaiswal holds
the receiver away from his mouth and...
JAISWAL(CONTD)
Sir, RamMohan Lohia from RWParty is here. He wants to talk to
you it seems.
TIWARY
What?? Alone he is?
JAISWAL
yes sir, so they say.
TIWARY
Ask them to let him in.
JAISWAL
But sir, it might...
Tiwary holds up his palm against Jaiswal sternly.
JAISWAL(CONTD)
Yes sir. As you say.
He holds the receiver back at his mouth.
JAISWAL(CONTD)
Allow him. Send him to the meet-up room.
He hangs up the intercom and sits beside Tiwary.
JAISWAL(CONTD)
Sir, don't you think he's a taxing troublesome irk??
TIWARY
He is, no doubt..... But not when he's alone. ..... Think,
(pauses) if he has come alone to me, isn't it obvious that he wishes to involve
in it?? Lets pay off some bits to him and he'll take care of the matter from
his party's side.
JAISWAL
Mmmm. Very coherent.
TIWARY
Indeed...
They laugh out. Intercom rings again. Jaiswal picks up.
VOICE OVER
Sir, Mr.RamMohan is in the meet-up room.
JAISWAL
Coming.
He hangs up the receiver. Tiwary and Jaiswal both get up and
walk out of the room and towards the meet-up room.
42.int
pathway between tiwary's cabin and meet-up room - contd from previous scene
Tiwary and Jaiswal are walking briskly towards the meet-up
room where RamMohan Lohia is waiting. While they walk,
JAISWAL
Sir, shall we call Bachchanji?
TIWARY
What?? Have you gone mad? He's *THE* one who *SHOULDN'T* be
there now. Where he is??
JAISWAL
In his cabin, probably with Neha.
TIWARY
Make sure he doesn't even come to know about this meeting.
Keep him involved in something.
JAISWAL
Yes sir.
Jaiswal takes out his mobile and is seen dialling a contact.
43. int -
meet-up room - continued from previous scene
The meet-up room is pretty small and can accomodate a maximum
of ten people.It has chairs laid out in circular fashion around a table on
which water bottles and cardboards are kept.
On one of such chairs, RanMohan is sitting with locked hands
and is gazing at the door, which, NOW bangs open.
Tiwary and Jaiswal enter the room.
RAMMOHAN LOHIA
Namashte, Namsdhte Tiwaryji.
TIWARY
Namashte janaab, Rammohan Lohia sahukaar. How are you??
They both hug and greet each other and sit down, facing each
other. jaiswal sits beside Tiwary.
RAMMOHAN LOHIA
Fine Tiwaryji. Very fine.. (a brief pause) till a couple of
days ago. Not anymore.... not now.
TIWARY
What happened out of the blue Lohiaji?? Any discrepency in
the party??
RAMMOHAN LOHIA
Aah. You are not just a well-known producer, .... but seem
like a method actor too.
TIWARY
Excuse me. (Tiwary is a bit irritated).
RAMMOHAN LOHIA
Don't you know the ongoing protests, casualties and unhealthy
Mulund neighborhood?? Don't act innocent. (The reply was sharp, harsh and
piercieng)
TIWARY
Mind your language RamMohanji. Let me remind you, all of them
are caused by the protests that your own party had triggered. Hope you are
aware.
RAMMOHAN LOHIA
I'm.... I'm..... very well aware of it. But all that are in
turn because of Thursday's KBC you forgot??
TIWARY
Well.. Well... It went on how it was supposed to. But your
party took immoral advantage of that and misused it. Don't make me answerable
for that.... You know..
RAMMOHAN LOHIA
I agree.... Tiwaryji.. I totally agree. (The tone now becomes
a bit friendlier). I see eye to eye as you do regarding this. My party leaders
are no saints and they proved to be sheer politicians at the end of the day. I
concure they exploited the situation. It wasn't sane, you have my consent.
Which is why I'm here.
TIWARY
Care to elaborate the last line??
RAMMOHAN LOHIA
Look Tiwaryji, you know very well. If you broadcast today's
episode, they will lodge state-wise protests and many innocents will be its
victims. You can stop it, you can.
TIWARY
How much?? (sternly)
RAMMOHAN LOHIA
Pardon me?? (He appears confused)
TIWARY
I don't have much time. Tell me your rate.... your fee to
prevent it.
RAMMOHAN LOHIA
Excuse me. What do you think of me?? (He's frustrated). You
plan to buy me out??
TIWARY
I never went to buy you, you came yourself here with a
price-tag. Mind it.
RAMMOHAN LOHIA
(He's now fuming. He stands up and so does Tiwary and
Jaiswal)
Hold your tongue Tiwary. You seem to be out of your senses. I
never came up for the sake of your money. On contrary, I wanted to convince
you, .... wanted to sway you away towards stopping today's show. But now I feel
it's not gonna happen. But remember, if anything malevolent happens tonite, you
will, beyond doubt.... face some weighty consequences.
RamMohan Lohia is pointing his index at Tiwary.
Jaiswal is fuming at the aggressive temperament of RamMohan.
TIWARY
You think I'm in anyway afraid of you or your party?? Dare to
defy me?
RAMMOHAN LOHIA
Now I agree what my party leaders did was no wrong at any
dimension.
The intercom of the meet-up room rings.
Jaiswal picks it up.
JAISWAL
police?? What??... (pauses). ok. We will be right there.
He hangs the receiver down.
JAISWAL(CONTD)
Sir, police are here they say. They want to interrogate
shahbaaz it seems. They have the order.
TIWARY
Damn the bloody hell.
RAMMOHAN LOHIA
Well...well... Someone was rebellious a moment ago.
RamMohan laughs out loud.
Tiwary and Jaiswal exchange burly glances with Rammohan.
They all three exit out of the room.
44. int
pathway, kbc studio -- continuation of the previous scene
The three are walking across the pathway. Rammohan is
following Tiwary and Jaiswal who infact don't know it.
TIWARY
Jaiswal, Amitabh knows of this?
JAISWAL
No idea sir.
TIWARY
Keep him occupied in something. Make sure he doesn't.
RAMMOHAN LOHIA
I'll make sure he does.
Both Tiwary and Jaiswal are shocked at this unanticipated
voice, they were really not expecting him behind them.
TIWARY
Soooo.. you are an expert eavesdropper too. (He is sarcastic
in his comment)
RAMMOHAN LOHIA
Quite so.
TIWARY
Mr.Lohia,.... may I know how did you even consider dogging
us?? (In harsh loud tone, stressing each word) You were supposed to sit in the
meet-up room.
RAMMOHAN LOHIA
I want to see the police. Wish to talk to them. I have some
complaint about a crook who tried to bribe me, to deter the protests. Damn easy
guessing him, I suppose.
TIWARY
Blackmailing me!! Well, go on. Talk to the police. Free you
are. (After a brief pause) Bribe?? What bribe, oh that 3 crores bribe you
demanded in order to avoid the statewide protests??
RamMohan is now furious about Tiwary's mendacity. He's fuming
out and utterly enraged at Tiwary's instantly cooked-up lies.
He , in frustration, reaches out his hands swiftly toward
Tiwary's collars, but Tiwary just steps back. Jaiswal comes in between thereby
impeding the maddening scene.
TIWARY
To remind you Rammohan, I never called you. You appeared here
yourself and no sane cause you can offer to defend your move. And if you still
want to complain, well, I'm least bothered, I have my three crore story.
Moreover, you told your own party leaders hate you, they loathe. Never expect
any prop up from them, I never need to tell you, or should I?
RamMohan is totally helpless and feels exhausted mentally. He
follows Tiwary and Jaiswal feebly.
45. int -
kbc studio, waiting hall - continued from previous scene.
Tiwary, Jaiswal and RamMohan enter the waiting hall, a large
hall just at the entrance of the KBC studio, where police are now sitting.
There are three cops, a senior inspector and two constables.
They all get up as soon as Tiwary and Jaiswal enter the hall.
TIWARY
Namashte, Namashte inspector saab.
INSpector
Mmmmm. Good to see you Mr......
JAISWAL
Tiwary. This is our producer Tiwary, myself his assistant and
production incharge Jaiswal and (he turns back to introduce RamMohan Lohia)
this is...
INSPECTOR
We know.... We know him very well.. RamMohan saab. Dint quite
expect you here though, RamMohan.
They all are silent for a while. The ambiance is sickly-sweet.
INSPECTOR(contd)
So.... (he takes out a letter from his shirt pocket)
Mr.Tiwary, this is the order I've received from commissioner to interrogate
Shahbaaz Ahmed. We know he's here in the studio. So straight off,.....this
instant... this very moment, I want you to lead me to Shahbaaz.
TIWARY
Relax..rel..
Tiwary's words are cut abruptly..
INSPECTOR
(in loud , commanding tone)
Don't tell me what I've to do, I want to see Shahbaaz right
*NOW*. That's the only thing I've in the queue. I shall relax indefinetely once
that.
TIWARY
(pointing to a corner)
That way, other side of this corridor. Second room to the
left.
INSPECTOR
Thanks .... a *lot*.
Inspector and the two constables walk over across the pathway
as indicated by Tiwary. Tiwary, Jaiswal and RamMohan folow them.
46. int -
kbc studio - shahbaaz' room - continued from the previous scene
Shahbaaz is sitting on the floor , over a mat despite comfy
chairs present around. He's seen reading a book, mostly Arabic going by the way
he's turning the pages from left to rightwards as he reads on. He has the book
in his right hand held against his slighly bent-down face, eyes serene.
Police enter the room, the boot-sound at their strides stop
as they stand still against him. They are bewildered to see Shahbaaz unmoved.
Shahbaz is as cold as he was and never really seemed of noticing the police.
The inspector knocks the already opened door with his small
police-stick a couple of times, but in vain. Shahbaaz is either heavily
involved in what he's reading or he absolutely bothers not and doesn't give a
damn to the police.
47. int -
kbc-studio pathway- at the same time
Tiwary, Jaiswal and RamMohan are watching the police from the
pathway at a distance. Pathway corridor is straight against the room where
Shahbaaz is sitting and the room can be seen manifstly from there.
Amitabh Bachchan and Neha too arrive at the spot and stand
beside Tiwary watching the ongoing overpowering scene.
Tiwary is upset and unhappy to see Amitabh and Neha and he
confirms it from his facial emotions.
AMITABH BACHCHAN
What's going on here?
Nobody's up to respond.
AMITABH BACHCHAN(contd)
doesn't matter, police interrogating Shahbaaz is gonna be a
welcoming move. I wished this had happened before, ..... few days before.
Tiwary gives an intimidating look at Amitabh. But Amitabh is
composed.
Amitabh is startled to see RamMohan, as if he never expected
him anytime in the studio.
AMITABH BACHCHAN(CONTD)
RamMohanji, ..... well.... what a surprise!! Never imagined
you would be here.
RamMohan glances back helplessly, doesn't respond.
Amitabh comes very close to Tiwary and whispers in his ears.
AMITABH BACHCHAN(CONTD)
(whispering tone) Why this guy is here?? What for?
Tiwary leans casually against Amitabh and whispers back.
TIWARY
He's here for a deal.... He demanded three crores just to
avoid staging any violent protest from his party-side. The deal broke down. I
never bribe people.
Amitabh gets back to his place, stands still, turns back to
gawk at RamMohan. That one daunting stare tells it all, Amitabh is breathing
venom at RamMohan. He turns back as they all look with their eyes wide open at
the room where Shahbaaz is about to be grilled.
48. int -
room where shahbaaz is sitting - continued from the previous scene
INSPECTOR
Mr.Ahmed, shahbaaz Ahmed....
shahbaaz slowly looks up, finally. He stares at the police,
rather gently. His eyes unblinking, hands firm, posture rock-solid.
INSPECTOR(CONTD)
I have an order from the commissioner to interrogate you. I want you to come with me, to the station.
Shahbaaz doesn't speak for a few seconds, but keeps staring
at the inspector.
INSPECTOR(CONTD)
You are deaf?? Speak up. Come with me, you are supposed to.
Come on don't waste my time..... It's commissioner's order.
SHAHBAAZ AHMED
(slowly, but muscular tone)
Who's a commissioner??
INSPECTOR
What??....
SHAHBAAZ AHMED
I don't have a commissioner.
INSPECTOR
To remind you, he's the state's police commissioner.
SHAHBAAZ AHMED
I don't belong to this state.
Upon that provoking statement of Shahbaaz, inspector's face
turns red.
INSPECTOR
That's it. You left me with no choice than using force.
Inspector marches towards the sitting Shahbaaz, pulls
Shahbaaz up by his collar and rams him vigorously at the door. Shahbaaz bangs
onto the door forcefully but he doesn't even attempt to resist.
Inspector pushes him further down the pathway mightily and
Shahbaaz clunks on the floor.
49.int -
pathway - continued from the previous scene
Tiwary, Jaiswal, Neha , Amitabh and RamMohan are rapt as they
are watch the ongoing appalling scene.
Inspector pulls the fallen Shahbaaz up and thrusts him to
walk ahead. Shahbaaz is now walking on that narrow pathway and inspector is
just behind him, pushing his back to plunge him ahead. They are walking towards
those five people (Amitabh, Tiwary, Neha, Jaiswal and Rammohan), who are
standing still.
As Shahbaaz gets closer to them, on that narrow pathway,
Tiwary plays a trick. He pretends to step back and deliberately falls hard on
Neha who is pushed, by this unanticipated force, towards the approaching
Shahbaaz.
Shahbaaz, in next to no time, grabs Neha by her neck
vehemently and pulls open a miniature nail-cutter knife from his sleeves and
holds it's sharp cuttin-edge to her throat. She's bleeding a little near her
throat now.
SHAHBAAZ AHMED
Get back... *NOW*.. Get back. Else, all it takes is a very
mild gentle stabbing at her throat. I've seen enough blood in my life, it's not
any new for me. Get back... *NOW*.
Amitabh and others step back, but are concerned.
Inspector initially hesitates, but upon seeing the blood
flowing down her neck, steps back. He orders the constables to move away.
Neha's bleeding, screaming. Her foot trembling, she's
sweating out of fear.
Shahbaaz slowly moves, along with her, towards the room where
he was sitting moments ago.
He gets inside the room and sits on a chair.
He forcefully makes Neha sit on the floor, her kneels bent
down, making it easy for him to hold the knife to her throat.
Police and those others cautiously walk towards the room and
stand at it's door.
50. int -
room where shahbaaz was/is sitting - continued from previous scene
SHAHBAAZ AHMED
(in a serious tone, stressing each word)
Inspector, listen carefully. You step one inch ahead.... and
be at the helm for this naive girl's death.
INSPECTOR
No... No.. You win...
Inspector gently steps back.
SHAHBAAZ AHMED
I'm no murderer, ..... but doesn't bother to be one though.
I've come here to play KBC. Let me do it and go back causing no fuss.
INSPECTOR
Ok... ok.... you will play it...
SHAHBAAZ AHMED
I shall free this girl of my clutches sharp when shooting
starts, when I'm in front of camera and live studio audience.
INSPECTOR
Deal... but no harming her....
Inspector turns towards Amitabh and Tiwary and asks..
INSPECTOR(CONTD)
When is it gonna start??
TIWARY
4 'O clock is the shooting, at 9 , it will be broadcasted.
SHAHBAAZ AHMED
You can all go now.
Shahbaz intently gapes at the nspector and..
SHAHBAAZ AHMED(CONTD)
This is *COMMISSIONER'S* order.
With no other go, police and others go back.
51. int - kbc PATHWAY - moments later
INSPECTOR
Tiwaryji, I need to talk to you people. To yourself and
Amitabh. Can we sit somewhere??
TIWARY
Sure, why not. Lets go to the meet-up room.
INSPECTOR
Good...
Tiwary leads the way to the meet-up room as they follow.
Inspector waves his right palm fervently against RamMohan
Lohia and constables signalling them to stay back and so they do.
RamMohan's faced is ZOOMED-IN.
He appears terribly dazzled.
52. int -
kbc meet-up room - continued from previous scene
Inspector, Tiwary and Amitabh enter the meet-up room and take
their seats.
INSPECTOR
Look, we don't have much time. Let me tell you the plan.
TIWARY
Plan??? Oh ... what now??
Tiwary is evidently upset.
INSPECTOR
Yes, a plan. You know he's trapped now. The only reason he's
still hanging around is because of that hostage, Neha. That makes our lives
easy.... As soon as the show starts, when he is prompted to your main studio,
he would leave Neha back and come alone to play the game. And we hit back...
We'll catch him there...
TIWARY
But the camera would be running, live audience will be
there...
INSPECTOR
There's the catch... Shots would be fake and so will be the
audience. I'll arrange for the audience, they will all be our people.
TIWARY
Oh no.. That's unfeasible. Not viable now. Highly
imparactcle. We would have to then shoot again with someone else for today's
episode and we have no time. That's not agreeable.
Inspector replies in a stern manner.
INSPECTOR
Misterrr Tiwary, this is *commissioner's* order.
Tiwary is frustrated, he throws his arms loosely into the air
turning his head leftwards, as if to sway away from the inspector.
He gets up, turns back abruptly and walks out of the room
briskly. Inspector and Amitabh just keep staring at the door.
AMITABH BACHCHAN
Nice idea, by the way, inspector.
Inspector turns to Amitabh, shakes his head swiftly and
smirks.
CUT-AWAY
53. int -
room where shahbaaz is sitting - after-noon 3:45
Shahbaaz is seen sitting on the chair, reading something. His
pen-knife is kept beside him. WE GLIDE THE CAMERA SIDEWARDS revealing Neha.
She has been tied up on her hands and legs to that of a
chair, just behind Shahbaaz. Her mouth is stuffed by another cloth, probably
some pieces of cloth Shahbaaz had with him, as part of his traditional Islamic
clothing.
Jaiswal appears at the opened door and he knocks.
Shahbaaz doesn't respond.
JAISWAL
Shahbaaz, time for the shooting. Come over to the
main-studio. The set is ready...
Shahbaaz looks up, slowly nods his head, get up, unties Neha
slowly, picks his miniature-pen knife and holds it to her throat.
He pushes her gently, step by step that makes her walk ahead,
his knife edge still intact at her throat. She's sobbing like a little girl.
She's held hostage.
They walk in this same spiteful fashion over the pathway.
TIWARY is seen watching Shahbaaz from his cabin's big glass
window, from where the pathway is directly visible.
Tiwary appears snooping.
As Shahbaaz reaches the entrance of the main studio, he
shoves Neha with such force she falls a metre away from him, but unhurt. He
holds his pen-knife stalwartly in his right hand and raises his hand above his
head, as if to tell silently everyone watching him that he can still be lethal,
indirectly warning everyone against any foulplays.
He then pulls down his knife, gently conceals it in his
sleeves and walks off, his head straight, posture damn sturdy.
HE DISAPPEARS FROM THE PATHWAY AS HE WALKS TOWARD THE MAIN
STUDIO.
Neha gets up unhurriedly, wipes her face and neck with bare
hands and walks inside the sound-room, from where technical crew of the team
watch the shooting. RamMohan slowly enters it as well, out of nowhere and sits
beside Neha.
CUT-TO
54. int -
tiwary's cabin - just after the previous scene
Tiwary, Jaiswal and the inspector are sitting in Tiwary's
cabin.
They all are watching the main studio, both on TV set and also directly through the big glass window.
Tiwary turns to inspector hastily and..
TIWARY
Inspector, you saw what he did?? ... Shahbaaz... Don't you
think he's dangerous without Neha too??
INSPECTOR
I do.... I know about his pen-knife..
TIWARY
And about Amitabh's life?? Amitabh Bachchan,..... who's gonna
sit in front of him, at an arm's distance...??
INSPECTOR
I know... Let me remind you Tiwaryji, he has a tiny
pen-knife.. Our men sitting in the audience have revolvers... And *I* have
*COMMISSIONER'S* orders.
Tiwar silently looks back... He's irritated and helpless.
INSPECTOR(CONTD)
50 ....(looking at the tv screen)
Tiwary suddenly is taken by surprise and he looks at
inspector.
TIWARY
Excuse me???...
INSPECTOR(CONTD)
70 ....
TIWARY
(in a quick accent, holding his hands up)
Ok.. OK.. Done.. Seventy lakhs.. No more bargain.. It will be
yours... Now, before something futile happens in the studio, ask your men not
to do anything...
Inspector turns his microphone on and
INSPECTOR
(in a whispering tone, but audible to Tiwary)
Shekeel, abstain on doing anything. Let the show go on.
Tiwary is contented, looks relaxed and turns away, from the
inspector, from the inspector's mic.
CUT-TO:
55.int -
kbc main studio - at the same time
Shakeel, who is sitting in the front row among the audience,
listens to inspector through his microphone.
SHAkeel
(in a very low tone, almost wishpering, covering his
mouth with his right hand, slightly bent)
Yes.. sir...(After a brief pause). After all, what can we
do?? We have done no arrangements, (pause)to catch him!! (in a still lower
tone) Did Tiwary agree with our deal??
CUT-TO
56. int -
tiwary's cabin - just after the previous scene
INSPECTOR
Ok. Good.
Inspector is seen taking off his microphone from his ears and
turns to Tiwary.
INSPECTOR(CONTD)
Don't worry Tiwaryji. The show will go on as it's supposed
to. Without any obstacles.... (pauses) atleast not from our side. I've
instructed my men to stay mum.
Tiwary appears hasslefree, nods slowly, then smiles looking
at the inspector. He stretches out his hand at the inspector.
Inspector gets up slowly, keeps his palm over Tiwary's and
they both beam.
57.int -
kbc main studio - 4:00 evening
The studio is geared up for the shooting. Audience are all
set. At the entrance of the main-set , Amitabh and Shahbaaz are standing,
facing each other for a moment and then both turn towards the camera.
From inside the studio, WE HEAR,
VOICE OVER(studio)
Lights on... Applause...
And the lights systematically turn on, KBC trade-mark music
starts playing, loud ,bouncy and energetic, audience clap along with the
simulated applause music.
The camera FOCUSES on the duo, Amitabh and Shahbaaz.
VOICE OVER(in amitabh's microphone)
Action.
AMITABH BACHCHAN
Welcome.... Welcome... Ladies and Gentlemen. Welcome to the
Monday's edition of your favorite gameshow, Kaun Banega Karooooooooodpateeee.
(Applause....He pauses for a while, waits for the audience to stop clapping).
So.... a new week... new aspirations... new hope... Let me tell you a small
tale about this most beautiful four lettered word called *HOPE*. There was this
man born somewhere in the begining of 19th century. when he was 7, his family
was forced out of their home.....at 9 years of age, he lost his mother, at 19 -
his sister. When he was a young-hot-blooded gun at 23, he lost his job....
failed to get into a law school. At 24, he lost his business to become
absolutely bankrupt. An year later, his fiance died.... The very next year he
had a nervous breakdown and was bedridden. At 31, he sought to become the
elector, he was defeated. Then he ran for congress, he lost. He re-ran, lost
again. He lost everything in his life, except one beautiful immortal thing....
named *HOPE*. And with that very *HOPE*, he ran for the senate and finally, he
became, *THE PRESIDENT OF UNITED STATES OF AMERICA*, the most powerful position
in the world!! He was none other than Abraham Lincoln.
And with the same *HOPE*, similar ferver, we have here today
our roll-over contestant, Shahbaaz Ahmed (camera FOCUSES ON SHAHBAAZ, he's
looking damn serious).... Mr.Ahmed, are you ready to play the game??
Shahbaaz jiggles his head.
AMITABH BACHCHAN(CONTD)
(LOUDLY, Cheerfully)
Comeon- let's play the game.....(Amitabh points at the
hot-seat, located at the centre of the set)
Audience clap again, as Amitabh and Shahbaaz walk towards the
hot-seat.
58. int -
kbc centre set - hot seat - 4:05 PM
Amitabh
is sitting on his host-chair and Shahbaaz on the hot-seat.
CAMERA IS FOCUSING AMITABH- CLOSE UP
AMITABH BACHCHAN
Last Thursday, before we could start out questionnaire to
Shahbaaz Ahmedji, the hooter ordered to pack-up. (he smiles).... We could just
have his introduction. (pauses) I hope you know the rules of the game well...
SHAHBAAZ IS FOCUSSED, he nods slowly.. His face casts off
profound astute emotions.
CAMERA FOCUSESS AMITABH BACK
AMITABH BACHCHAN
Well.. then without wasting anymore of this precious time,
lets *PLAY*....
Audience applause again.
AMITABH BACHCHAN(CONTD)
(typical quizmaster accent)
Here's the first question, for one thousand rupees.... ONNNN
your computer screen....
CUT-TO
59. int -
kbc technical room - at the same time
In the technical room, Neha is curiously watching the shots
on the multiple TV sets, each showing at different at different angles. Just
besides her is RamMohan, sitting quietly but appears no less snooping than her.
NEHA(to herself, but a bit loudly)
I bet this would be the toughest one thousand rupee question
ever,....in the history of the gameshow.
RAMMOHAN LOHIA
I somewhat doubt that.
Neha turns to RamMohan, stoutly stares into his eyes, almost
breathing fire.
NEHA
We are no politicians.... we don't change our mind each
second.
She turns back to Tv..
He's mum, they are involved in the show again.
60. int -
kbc centre set - hot seat - continued from scene 58
The questions appear on both of their computer screens.
AMITABH BACHCHAN
(Again, typical quizzer accent)
Which of the following four is a type of gun?
A. N95
B. MI6
c. AK47
D. NH3
CUT-TO
61. int -
kbc technical room - Just after the previous scene
Neha, who is watching the questionnaire is stunned as she
reads the question. She couldn't believe her own eyes. She appears traumatized
and gets up slowly from her seat, unaware of her act.
RAMMOHAN LOHIA
I've hit the bull's eye in my prediction. I quite expected
it, from (he turns to the standing Neha) *YOUR BACHCHANJI*.
Neha doesn't retort, doesn't even move.
NEHA(TO HERSELF, BUT A BIT LOUDLY)
Even Bachchanji!!!????
RAMMOHAN LOHIA
Bachchanji, Tiwary and the inspector had a secret meeting in
the afternoon. I was deliberately kept out that. Now I see why.
Neha looks perplexed. She doesn't move an inch. Stands still,
gazing at the television.
CUT-TO
62. int -
'The inside story' news studio - time irrelavent
The studio room is contemporary, largely trendy and has
live-TV screens behind the anchor's chair.
CLOSE-UP AT THE LADY ANCHOR
The anchor appears modern, is wearing a creamy-white Donna
3-piece suite. She has a microphone jammed to her left ear.
VOICE OVER(from microphone)
Camera on....Action.
Light turns on, focussed on her that makes her already flaxen
face look brightly illuminated.
ANCHOR
Welcome,....to your favorite program that unravels the
surreptitious elements of popular stories of the week- welcome... to your
favourite program.... *THE INSIDE STORY*.
Well, we had many enthralling events that occured this week,
some great, some grave. But the most riveting of them all, was, well, you
guessed it right, the Shahbaaz Ahmed phenomenon. Yes, it hasn't just remained
an incident, it has been a phenomenon now.
To learn about the enticing inside story of it, we have with
us today, the very legend of Indian cinema, the anchor of KBC Mr.Amitabh
Bachchan.
Camera turns ITS FOCUS FROM THE ANCHOR TO AMITABH BACHCHAN.
Amitabh is sitting besides her, both of them inclined just
over a small angle from the STRAIGHT VIEW, that almost gives the viewer a
feeling that they are facing each other.
ANCHOR
Welcome to the show sir. It's been our pleasure to have you
here.
AMITABH BACHCHAN
Thank you. Pleasure's mine.
CAMERA ON ANCHOR
ANCHOR
Well, tell us , Bachchanji, we all know what happened this Monday, we all know how it all went. But tell us something about it, which we are unaware of,.... which.... which... has remained dark under the shadows.
CAMERA FOCUSSES BACK TO AMITABH.
ZOOM-IN. ZOOM-IN to the eyes. Focus moves deep inside the
eyes, at a lightening pace, till WE CUT TO
63. int -
KBC MAIN STUDIO - FLASH back- monday evening
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